Curriculum Vitae

Lenora Lerrer Rosenfield

April 29, 1953, Porto Alegre, Brazil.

Employment

> Associate professor at the Art Institute at Federal University of Rio Grande do Sul (UFRGS) from 1993 to 2017.
> Coordinator of the Restoration Laboratory of the Art Institute at UFRGS from 1989 to 2013.

Education

2011–2012
> Post-doctorate, Università degli Stidu di Udine (Italy).

2002–2003
> Split-site doctoral studies, New York University (USA) with a Fulbright scholarship.

2000–2004
> PhD in Fine Arts – Visual Poetics, University of São Paulo (USP).

1993
> Tender for assistant professor at the Art Institute at UFRGS.

1992–1993
> Research in restoration and painting materials, Fogg Art Museum (Cambridge, USA), with a Harvard University and Kress Foundation scholarship.

1991–1995
> Master of Fine Arts – Visual Poetics, UFRGS.

1990–1993
> Conservation Technician, Art Institute at UFRGS.

1989
> Tender for Conservation Technician at UFRGS.

1982
> Paper restoration course at Gabinetto G. P. Vieusseux (Florence, Italy).

1980–1983
> Painting restoration course, Istituto per l’Arte e il Restauro (Florence, Italy). Partly with a CNPq scholarship.

1976–1979
> Undergraduate major in Drawing and Fine Arts, Feevale (Novo Hamburgo, Brazil).

1971–72
> Painting, The New School for Social Research (New York, USA), with professor Joseph Stefanelli (two semesters).
> Visual Expression, The New School for Social Research (New York, USA), with professor Donald Stacy (one semester).

Works in private and public collections

> Galleria Laboratorio 2 International, Udine (Italy).
> Museu de Arte do Rio Grande do Sul (MARGS), Porto Alegre (Brazil).
> Galeria Arte & Fato, Porto Alegre.
> Museu de Arte Contemporânea do Rio Grande do Sul (MACRS), Porto Alegre.
> Pinacoteca (picture gallery) of the City Hall of Porto Alegre.
> Pinacoteca Barão de Santo Ângelo, Institute of Art at UFRGS, Porto Alegre.
> Private collections in Italy, United States and Brazil.

Main solo and group exhibitions

Solo exhibitions

2018

> “The Relief”, a technological sensory experience for the Faders – Foundation for Articulation and Development of Public Policies for People with Disabilities and High Abilities in Rio Grande do Sul, during the 2nd ExpoTAI – Exhibition of Assistive Technology and Inclusion, ULBRA Campus, Ulbratech, Canoas (RS)

> “The Relief “, a sensorial technological experience for the XI Mercosul Biennial of Visual Arts, CEEE Erico Veríssimo Cultural Center, Porto Alegre (RS).
2016
> Itinerários, curated by Francisco Dalcol, Museu de Arte do Rio Grande do Sul (MARGS), Porto Alegre (Brazil).

2015
> Coletiva de Uma Artista Só, Museu de Arte de Blumenau (Brazil).

2014
> Movimento, Galeria Arte & Fato, Porto Alegre (Brazil).

2013
> Movimento, Galleria Laboratorio 2 International, Udine (Italy).

2006
> Exercícios, Livraria Cultura, Porto Alegre (Brazil)

2005
> Subtração e Ausência, Museu de Arte do Rio Grande do Sul (MARGS), Porto Alegre (Brazil).

2004
> Subtraction, Franklin 54 Gallery, New York (USA).

2003
> Collage/Fresco, Art at FORMAT, New York (USA).

1996
> Bruxas, Monstros e Demônios, Galeria Marisa Soibelmann, Porto Alegre (Brazil).

Group Exhibitions

2014
> 20 x 20 e Outros Formatos, Espaço Cultural Chico Lisboa, Porto Alegre (Brazil).

2012
> 20 x 20 project, Galeria Bolsa de Arte, Porto Alegre (Brazil).
> Co.LabPoa project – 48-hour artistic immersion at Usina do Gasômetro, Porto Alegre (Brazil).

2011
> Participation in the installation of the Cor de Rosa Choque project, with the work Vale Ouro. Curated by Lucia Avancini and Marilou Winograd, Espaço Cultural CEDIM Heloneida Sdudart, Rio de Janeiro (Brazil).

2010
> XII MiniArt Mini Faces International Exchange, Instituto Cultural Norte-Americano, Porto Alegre (Brazil).

2009

> Diálogos sobre Cultura [Dialogues on Culture] – conference and group exhibition, Federação Israelita do Rio Grande do Sul, Porto Alegre (Brazil).
> Total Presença Pintura – Acervo da Pinacoteca Barão do Santo Ângelo, Institute of Art at UFRGS, Porto Alegre (Brazil).

2006
> MAC no A6 – Consolidação, Museu de Arte Contemporânea (MACRS), Porto Alegre (Brazil).
> 20 x 20 project, Galeria Bolsa de Arte, Porto Alegre (Brazil).
> O Papel de Otávio, Museu de Arte do Rio Grande do Sul (MARGS), Porto Alegre (Brazil).

2005
> Franklin 54 Gallery, New York (USA).

1997
> 25 x 25, Centro Cultural Recoleta, Buenos Aires (Argentina)

1995
> Poéticas Visuais – Sete Mestres, Pinacoteca do Instituto de Artes at UFRGS, Porto Alegre (Brazil).

1979
> Galeria RG, Porto Alegre (Brazil).

1978
> VII Salão do Jovem Artista [7th Salon of Young Artists], printmaking category, Porto Alegre (Brazil).

1973
> II Salão do Jovem Artista [2nd Salon of Young Artists], painting category, Porto Alegre (Brazil).

Experience in restoration

> Art collection coordinator of Pinacoteca do Instituto de Artes, UFRGS.

> Restoration coordinator of the mural paintings of the former Cine Cacique, Porto Alegre (Brazil).

> Restoration coordinator of the mural paintings of Solar dos Câmara, Porto Alegre (Brazil).

> Restoration coordinator of Aldo Locatelli’s and João Fahrion’s mural paintings in the Art Institute at UFRGS.

> Restoration coordinator of the retables of the crossing and altar of the church of Nossa Senhora da Conceição in Viamão, the first capital of Rio Grande do Sul (Brazil).

> Restoration coordinator of the walls of the dining room of Solar dos Câmara, owned by the Legislative Assembly of Rio Grande do Sul, in Porto Alegre (Brazil)

> Restoration of drawings by Pedro Weingärtner, owned by UFRGS.

> Restoration coordinator of works belonging to the Institute of Art at UFRGS.

> Restorer of works by artists such Giorgio de Chirico belonging to the Harvard University Art Museum (1993).

> Part of the restoration team of paintings by Puvis de Chavannes and decorative murals in the Boston Public Library (1992).

Publications, talks and bibliography

2016

Rosenfield, Lenora L. “A influência do material e da técnica na arte contemporânea”. VIS – Journal of the postgraduate programme in arts, Universidade de Brasília, v. 15, n. 1, p. 205–23, Jan.–June 2016.
Available at: <http://periodicos.unb.br/index.php/revistavis/article/view/19053>.

2014

Participant of the Ibero-American Seminar on Creation Process, Postgraduate Programme in Arts of the Federal University of Espírito Santo (UFES), in Vitória, with the work “A influencia do Material e da Técnica na Arte Contemporânea”.

2015

Rosenfield, Lenora L. “Técnica e Pulsão em Iberê Camargo”. Porto Arte – Journal of the Postgraduate programme in visual arts, Universidade Federal do Rio Grande do Sul, Instituto de Artes, Porto Alegre (Brazil), v. 20, n. 34, p. 89–94, May 2014.
Available at: <http://www.seer.ufrgs.br/PortoArte/article/view/62312>.

Rodrigues, Kethlen Santini. Lenora Rosenfield: Diálogos com o Surrealismo e a Psicanálise (1968-1998). 2015. 126f. Dissertation (Undergraduate degree in history of art) – Bachelor of Art History, Instituto de Artes, Universidade Federal do Rio Grande do Sul, Porto Alegre (Brazil).

2013

Rosenfield, Lenora L. “Da Quadricula à Quadratura, à Grade e ao Pixel”. ouvirOUver – Journal of the Postgraduate Programmes of Instituto de Artes, Universidade Federal de Uberlândia (Brazil), v. 9, n. 2, p. 314–33, July/Dec. 2013.
Available at: <http://www.seer.ufu.br/index.php/ouvirouver/article/view/29409>.

2012

Capa da Mosaica (v. 4, n. 1) – Half-yearly journal of Jewish studies by Instituto Cultural Judaico Marc Chagall, partnership with Universidade Federal do Rio Grande do Sul (UFRGS).
Available at: <http://www.seer.ufrgs.br/webmosaica>.

2009

Rosenfield, Lenora L. “A Voz do Artista”. Porto Arte – journal of the postgraduate visual arts programme, Universidade Federal do Rio Grande do Sul, Instituto de Artes, Porto Alegre, v. 16, n. 26, p. 123–33, May 2009.
Available at: <http://seer.ufrgs.br/index.php/PortoArte/article/view/14723>.

2004

Rosenfield, Lenora L. O Afresco/Colagem. 2004. 88f. Thesis (Doctoral degree in Visual Arts) – Escola de Comunicação e Artes, Universidade de São Paulo.

1997

Rosenfield, Lenora L. Glossário Técnico de Conservação e Restauração em Pintura. Porto Alegre: Editora da Universidade/UFRGS, 1997.

Rosenfield, Lenora L. “Bruxas, Monstros e Demônios: uma Representação Pictórica”, Revista de Psicanálise, vol. IV, No. 3, Porto Alegre.

1996

Rosenfield, Lenora L. “Relatório da Restauração da Manutenção do Solar dos Câmara”, Cadernos da ANPAP, vol. 1, VIII Encontro Nacional da Associação de Pesquisadores em Artes Plásticas.

1995

Rosenfield, Lenora L. Bruxas, Monstros e Demônios: uma Representação Pictórica. 1995. 91f. Dissertation (Master of Fine Arts) – Postgraduate programme in visual arts, Art Institute, Universidade Federal do Rio Grande do Sul, Porto Alegre.

1994

Rosenfield, Lenora L. “Exame e Análise de uma Pintura de Dois Lados de Autoria de Robert Henri” [Examination and analysis of a double-sided painting by Robert Henri], Cadernos da ANPAP.

1993

“Puvis de Chavannes’s Allegorical Murals in the Boston Public Library: History, Technique and Conservation”, Journal of the American Institute for Conservation, AIC, v. 36, n. 1. Mentioned of her participation in the restoration of the mural by Puvis Chavannes in the Boston Public Library.

Rosenfield, Lenora L. “Examination and Analysis of a Double-Sided Painting by Robert Henri”, published in the bulletin of AIC (American Institute for Conservation of Historic and Artistic Works).

Rosenfield, Lenora L. “Profissionalismo e Restauração”, Cadernos da ANPAP.

1991

Rosenfield, Lenora L. “A Utilização das Cores em Alguns Casos do Retoque na Restauração”. Porto Arte – Journal of the postgraduate programme in visual arts, Universidade Federal do Rio Grande do Sul, Instituto de Artes, Porto Alegre (Brazil), v. 2, n. 3, pp. 19–25, May 1991.
Available at: <http://www.seer.ufrgs.br/PortoArte/article/view/27405/0>.

Andreatta, Suzana; Rosenfield, Lenora L. “Fungos Contaminantes Isolados em Obras de Arte (pintura sobre tela)”, Cadernos da ANPAP.

1990

Rosenfield; Lenora L. “A Pintura a Óleo e a Questão Van Eyck.” Porto Arte – Journal of the postgraduate programme in visual arts, Universidade Federal do Rio Grande do Sul, Instituto de Artes, Porto Alegre (RS), v. 1, n. 2, pp. 39–44, Nov 1990.
Available at: <http://seer.ufrgs.br/PortoArte/article/view/27343>.

1988

Rosenfield, Lenora L. “Mesa Térmica”, article published in the ABRACOR bulletin year VII, No. 1, pp. 50–5.

“Introducción a la Restauración y Conservación de Bienes Culturales” (Introduction to Conservation and Restauration of Cultural Works)”, Taller de restauración, National Ministry of Culture and Education, Montevideo, Uruguay, organised by American States, Pan American Union.
“Pequena Câmara de Desinfecção” (Small Paper Disinfecting Chamber), Brazilian National Research Council, São Paulo.

1983

Rosenfield, Lenora L. “I Microrganismi Nell’Opera D’Arte”, Istituto per L’Arte e il Restauro, Florence, Italy.

1982

Rosenfield, Lenora L. “Aspetti Della Pittura ad Olio in Rapporto a Van Eyck”, Istituto per L’Arte e il Restauro, Florence, Italy.